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The "End 2 End" String Quartet

String Quartet No. 9

"Juana la Loca plays ´Beethoven & Friends´"


In the last part of the 6th string quartet, the composer for the first time applied the by the composer invented ´musique-collage´ technique. The score of the first part of W.A.Mozart´s ´dissonance quartet´ was gradually cut in still smaller fragments which literally were rearranged.

In the 9th Stringquartet this technique is further investigated. Fragments become smaller, are turned upside-dowm etcetera etcetera...

Most of the times the composer likes his re-arrangements even more than the original. One of the reasons of course is the comical side-effect of re-arranged well-known pieces. Take e.g. the begining of the 2nd part, Vivaldi´s Spring.

Part 1: re-arranges Beethoven, Brahms & Bártok
Part 2: re-arranges Vivaldi, J.S.Bach & Chopin


Underneath MIDI generated audio impressions of the 9th String Quartet.


M.Regtien  °  Stringquartets
1st String Quartet 2nd String Quartet 3rd String Quartet 4th String Quartet 5th String Quartet
6th String Quartet 7th String Quartet 8th String Quartet 9th String Quartet 10th String Quartet
Dingus1 Clarinet Quintet End2End Quartet

9th String Quartet "Juana la Loca plays ´Beethoven & Friends´"

    In the last part of the 6th string quartet, the composer for the first time applied the by the composer invented ´musique-collage´ technique. The score of the first part of W.A.Mozart´s ´dissonance quartet´ was gradually cut in still smaller fragments which literally were rearranged.

    In the 9th String Quartet this technique is further investigated. Fragments become smaller, are turned upside-dowm etcetera etcetera...

    Most of the times the composer likes his re-arrangements even more than the original. One of the reasons of course is the comical side-effect of re-arranged well-known pieces. Take e.g. the begining of the 2nd part, Vivaldi´s Spring.

    Part 1 re-arranges Beethoven, Brahms & Bártok
    Part 2 re-arranges Vivaldi, J.S.Bach & Chopin